11.27.2013

12 Things You Can Do To Be A Better Guitar Player Right Now




By: John McCarthy

All musicians want to get better with their instrument as quickly as possible. Whether  you play guitar, bass guitar, drums, keys or tambourine here are 12 things you can do to be a better musician right now.

1.  LISTEN….Everyone wants to become a better player but most sit and play their songs and exercises over and over but don’t really listen to what they’re playing they just play the same mistakes and sloppiness over and over. By taking your time and slowing things down and really listening to your self play you will start to realize the elements you need to improve your playing. You need to know your weaknesses to improve them

When your ears hear what needs to be done your fingers will react

2. PRACTICE SMART….Don’t practice what you already know practice what you don’t know and what you need to improve on. In all my years of teaching the one thing I’ve seen that most students did that curved their learning process is this, they learned a few songs and when they went to practice they played these song (that they already knew) over and over. You need to think of the techniques or musical pieces that you are not proficient at and set your goals to learn these in your practice sessions. 

Save your pieces that you play well for performing and practice your weaknesses. By making your weaknesses strengths you will become a better player

3. WATCH YOURSELF…Sit in front of a mirror and watch your hands, your fingers, even your shoulder and arms. Look for tension and economy of motion. Make sure you are not causing tension by the way you are sitting and holding the guitar. To play great you must be a relaxed player. Make your arms and shoulder loose and even if you are playing an extremely hard piece don’t tighten up, even the fingers gripping your pick, keep your grip loose and relaxed.

Tension will create stiffness in your playing and cause you to be less creative.

4. RECORD YOURSELF….After you have practiced a piece or technique for some time record yourself playing it, it doesn’t have to be a recording studio session just a small recorder or boom box so you can hear yourself back. By listening back you will hear things a bit different then when you are playing, it’s almost like you are hearing from the outside looking in instead of the inside looking out, a new perspective.
Recording yourself will open your ears up to your playing weaknesses

5. LEARN FROM YOUR MISTAKES… Be your own worst critic and when you play something that is not completely correct know what it is and learn from it. I don’t like to call them “Mistakes I think of them as “learning experiences” and consider them as chances to grow as a musician. 

Don’t pretend learning experiences (mistakes) don’t happen just embrace them as learning opportunities and you will grow as a musician. Find the cause and plan how to create a different result

6. HAVE PERCEPTION… when you are playing think about and imagine your next three or five notes or chords. By envisioning your future moves you will have total control of your playing.
Don’t chase your notes be ahead of them looking back. This kind of perception takes some practice but will give you total creative vision.

7. BUILD SPEED IN SMALL INCREMENTS…Build your speed up gradually don’t try to shred through pieces or songs as fast as you can before you have clean technique. Everyone wants to have speed but with out technique you are just playing fast and sloppy. Try to play to a metronome or drum beat as much as possible this will give you an external rhythm to play to and will prepare you to play with other musicians in a band fashion.

Music is not a sport it is an art form and it won’t get judged by how many notes you play but by how much you can make a few notes have meaning.

8. USE YOUR BODY CLOCK…Practice moving your body to the music as you play, whether you tap your foot, move your head, jump up and down, or sway back and forth. By getting your body to be the rhythm keeper you will vibe more as a player, it will show in your phrasing and creativity.

Feel the music throughout your whole body and you will make other feel it too!

9. LISTEN TO OTHER GENRES OF MUSIC…Don’t be closed minded to other styles or genres of music. Almost every great musician has taken a few influences and combined them to create their own style. I often listen to other instruments to find new ideas for my leads for instance I’ll take a sax solo and listen to the way that he phrases his notes and try to add elements of this into my own playing, not doing exactly what he did but taking his ideas and using them in my own way.

You don’t have to reinvent your instrument just look at it a different way.

10. PLAY FOR OTHERS…I know this is difficult for some but this is a very important part of getting to the next level. When you have a song or piece completed start with a person you are very comfortable with and perform it for them. Make sure to put the strap on and stand up while playing to get the whole vibe going. Next try to get a few others to jam out to.

This is where you start having fun and you WILL begin to love the attention, trust me.

11. CREATE A PRACTICE ROUTINE AND PLAY CONSISTENTLY…Soooo important, this may be the most important thing on this list, set a daily practice schedule with a well thought out practice routine. Have a well balanced diet of exercises, scales, techniques and challenging musical pieces. Some students think that they can miss four days of playing and practicing and practice 3 hours one day to make up, this is a misconception. Set up a daily practice schedule that you will be able to keep.

Repetition is the mother of skill and with daily practice you will become a great player

12. DON’T GET FRUSTRATED…Guitar is not and easy instrument and there will be times that you will want to throw your instrument out the window (I lost a few good instruments this way) I have found that the best thing to do when you are feeling defeated by a piece or techniques is to take a break and either play something that you can do well for a few minutes or just put the guitar down and allow yourself to clear your mind and give your fingers a break. When you came back to that particular problem you will have a “fresh perspective” and will have a better chance of mastering it.

Space and perspective will help you not get overwhelmed and frustrated.

Need tools, ideas or lessons? Check it at www.RockHouseMethod.com


©2009 - 2013 Fred Russell Publishing, All Rights Reserved. This article can not be used without permission from the Author. To Contact the Author email jm@RockHouseMethod.com

11.26.2013

5th Annual Ho Ho Hoey Guitar Give-Away Is Back!

From Gary Hoey's Official web site.

Yes folks, it’s that time again.  Sign up to the Gary Hoey Newsletter and you will be entered to win a Fender Squire Strat for Christmas!  If you already get the newsletter, then you already have a chance to win.  Thanks for all your support each year and have a Ho Ho Hoey Christmas. Click here to enter and good luck!

11.25.2013

TAKAMINE™ ADDS CLASSICAL AND BASS MODELS TO ALL-NEW G SERIES

Takamine is pleased to announce the introduction of classical and bass models to its redesigned G Series line of guitars. Six classical styles are available in acoustic and acoustic-electric models, along with two new jumbo-style acoustic-electric basses.

Upholding the Takamine G Series tradition of offering high quality and exceptional value, the new G Series classical guitars are crafted with spruce tops and mahogany or rosewood backs and sides. GC3 and GC5 series models are fitted with premium solid spruce tops with classic fan bracing. Each GC1 series acoustic-electric model is outfitted with the Takamine TP-E preamp with built-in tuner, while the GC3 and GC5 series acoustic-electric models come with the Takamine TP-4T preamp with built-in tuner, offering players all the remarkable sound quality and versatility that Takamine acoustic-electric guitars are known for.  (MSRP: $289.99 - $584.99) 

Every new Takamine G Series bass is built with a solid spruce top, a 21-fret neck with a 16” fingerboard radius, and superior-sounding Takamine TK-40B electronics with on-board tuning. With mahogany back and sides, the GB30CE comes in beautiful gloss natural or gloss black finish. The GB72CE is made with striking flame maple back and sides, and is available in gloss natural or gloss sunburst finish.  (MSRP: $729.99 - $859.99)

Visit www.takamine.com for more information.

11.19.2013

Gary Hoey Releases His New Single “Still Got The Blues For Christmas”




Rock House Instructor/Artist Gary Hoey announced on his website garyhoey.com/ he just released a new Christmas single “Still Got The Blues For Christmas”.  It is available now only at the Official Gary Hoey Website. Click here to buy it.



11.18.2013

KAT® PERCUSSION ADDS TO E-KIT LINE WITH THE KT3 ADVANCED DIGITAL DRUM SET

KAT Percussion expands on its popular line of “kt” electronic drum kits with the KAT kt3 six-piece digital drum set. The kt3 features large 11" dual-zone white floor tom and snare drum pads, a larger 12" hi-hat cymbal, two 12" crash cymbals, and a 14" ride cymbal with an all-new bell trigger.  The kt3 sound module is preconfigured with 550 studio-grade drum, cymbal, DJ, FX and percussion sounds, along with 45 preset drum sets. Another 25 slots are available for user-created drum sets for a total of 70 kits. New eye-catching red accents round out the kit with a great visual flair.

The MIDI sound card built into the kt3 module includes 100 play-along tracks that are fun and challenging to play. A wide variety of input options are available, such as mp3 players, iPods, smartphones, and tablets. As with every KAT kt sound module, the kt3 includes USB 2.0 and MIDI connectivity for expanded use with recording software.

 “The new KAT kt3 is the latest advancement in our e-kit line,” said Mark Moralez, product manager for KAT. “The kt3 module was designed for everyone − from beginning players to the recording professional.”

For more information on the KAT kt3 (MSRP: $1,549.00), visit KatPercussion.com.

FENDER® ACOUSTICS RELEASES AVRIL LAVIGNE NEWPORTER™ GUITAR

Fender Acoustics is pleased to release the Avril Lavigne Newporter guitar.

Fender’s Avril Lavigne Newporter acoustic is based on her signature Squier® Telecaster® guitar, with all the distinctive punk-pop charm you’d expect from the top-selling Canadian songstress. It’s a concert-size beauty with all black finish, binding and tuners, and featuring a specially designed "star" rosette, 12th-fret skull and crossbones inlay and Lavigne’s signature on the Telecaster headstock.

Other features include an all-laminate mahogany top, back and sides with quartersawn scalloped “X” bracing; black-bound mahogany neck with “C”-shaped profile and 19-fret rosewood fingerboard, Fender “Viking”-style rosewood bridge with white pins; three-ply black pickguard; and Fishman® preamp system with built-in tuner.

Click here to watch a product video, and visit www.fender.com for more information.

EVH® RELEASES WOLFGANG RELIC® CUSTOM USA, WOLFGANG CUSTOM DELUXE USA & 5150III 100S HEAD, CABINET & HALF STACK SPECIAL RUN

EVH is proud to announce the new Wolfgang Custom Relic USA, Wolfgang Custom Deluxe USA and 5150III 100S Head, Cabinet and Half Stack special run.

EVH presents the Wolfgang Custom Relic U.S.A.—a perfect combination of vintage-style, modern design elements and heavy-relic simulated wear and tear destined to become a “future classic” instrument. In a first for a Wolfgang guitar model, its mahogany set neck is crafted with a vintage style ’50s-era neck profile that imparts a classically comfortable playing feel. The neck also features a hand-oiled heavy-relic finish that evokes countless battle-hardened hours of play. 

The distinctive Wolfgang body has a 1.5”-thick mahogany core with a half-inch-thick arched maple top (AAA maple on Vintage Burst model) and aged black-and-white binding. The compound-radius ebony fingerboard (12”-16”) has 22 vintage-style stainless steel frets, elegant mother-of-pearl block inlays and aged white binding. Other features include two direct-mount Wolfgang Zebra humbucking pickups with three way toggle switching, two Bourns 500k low friction volume potentiometers, two Bourns 250k high-friction tone potentiometers, dual graphite neck reinforcement rods, Floyd Rose® R2 locking nut, truss rod adjustment wheel at the butt end of the neck, TonePros® adjustable Tune-o-matic-style bridge and Schaller® fine tuning tailpiece and Schaller chrome string retainer bar on headstock. Available in Black, Gold and Vintage Burst gloss relic finishes. 

The EVH Wolfgang Custom Deluxe U.S.A. has the same features as the EVH Wolfgang Relic Custom U.S.A. without the wear and tear and aged black-and-white binding, and with a TonePros adjustable Tune-o-matic-style bridge with stop tailpiece. Available in Black, Gold and Vintage Burst gloss finishes.

The limited edition hand-customized EVH 5150 III 100S head and 4x12 cabinet combination is identical to the setup Eddie Van Halen has recently toured with, and features the exact same custom modifications. The head and cabinet are available individually, or together as a complete half stack.

The 100-watt head features a single input and three channels (clean, crunch, lead), each with versatile controls (volume, gain, presence, low, mid, high). Channel two features increased gain for greater sustain and is re-voiced for improved low-mid frequency definition; channel three also features increased gain and improved range for the “low” control. Further, each channel has a rear-panel resonance control knob that dials in fine-tuned low-end response. The amp boasts eight JJ ECC83 preamp tubes, four Wing C 6L6 power tubes, switchable output impedance (4, 8 and 16 ohms) and adjustable bias control. Other features include vintage-style “chicken head” control knobs, red jewel, dual speaker jacks, effects loop, direct out and molded plastic handle.

The cabinet features rock-solid birch construction, four Celestion® EVH G-12 speakers, EVH casters and recessed metal handles. Head and cabinet come in a special black “Stealth” aesthetic; and a seven-pin, four-button footswitch is included (controls each channel and the effects loop). Optional EVH fitted cover also available.

For more information, go to www.evhgear.com

11.14.2013

Drop D Tuning - A Rock House Metal Guitar Lesson

Drop D tuning refers to lowering the pitch of the 6th string from E to D. This gives the guitar a heavier, meaner sound. Drop D has been used for years in hard rock and heavy metal, so much so that many bands have written their entire catalogs in Drop D.

To tune your guitar to Drop D tuning, strike the open 4th string (D) and the open 6th string together. Gradually lower the 6th string from E to D until the 4th and 6th strings sound “in tune” with each other. These two strings are now both tuned to D an octave apart from each other. You can check your tuning using an electronic tuner to make sure you’ve got it.

Rhythms are extremely easy to play in Drop D because the 6th string power chords are now played with just one finger. Simply barre one finger across the lowest three strings at any fret. You can also play a D5 chord just by strumming the lowest three open strings. Below are three chord diagrams to give you some ideas on how to use Drop D tuning to play chords.













The following rhythm is a popular heavy metal style riff in Drop D tuning using the previous three chords. Play along with the heavy metal bass and drum backing track and get comfortable with the syncopated chord change. Try muting the strings by lightly touching the side of your picking hand against the strings right after the strings come off the bridge. If you move too far away from the bridge, you’ll end up deadening the strings instead of getting the proper muted sound. This technique is called palm muting and is common in rock and metal. After you’ve got this example down, experiment and create your own rhythms and riffs in Drop D tuning. 




©2009 - 2013 Fred Russell Publishing, All Rights Reserved. This article can not be used without permission from the Author. To Contact the Author email jm@RockHouseMethod.com

11.13.2013

The Art of Staying Motivated to Play Guitar

John McCarthy - creator of The Rock House Method
By: Steve Gorenberg

No one ever said learning to play the guitar would be easy. Well, ok, maybe someone did, but they lied! Learning to play any musical instrument, especially if it’s your first, is about as easy as learning a foreign language. Within the first day, you’ll probably be able to say, “Que pasa, amigo,” (the musical equivalent of this would be playing an open E string) but to communicate fluently will most likely take years of study and practice. Having a good teacher who understands how to help motivate and keep you interested is always a plus, but there are plenty of things you can do on your own to break out of a slump if you find yourself getting lazy or frustrated.

The first thing I’d like you to do is pick up your guitar. No, seriously, pick up your guitar. Once it’s in your hands you’ll play something, even if it’s only one chord. I guarantee it! If your goal is to try and practice at least a little bit every day, have your instrument handy instead of leaving it packed away in its case in the back of your closet. Leave it set up and tuned on a guitar stand where it’s visible and ready to play. Have your exercises, lessons, amp, effects and other accessories in plain sight where you’ll be tempted to just grab the guitar and play for five or ten minutes without having to go on a scavenger hunt for a pick. Out of sight, out of mind. If you keep your guitar within reach, you probably won’t neglect it nearly as much. When the mood strikes, you’ll be able to express your creativity without killing the moment by spending half an hour setting up, tuning and plugging in.
 
Don’t let frustration be your enemy. Frustration might cause a few people to try even harder and practice longer, but for most people it’s just depressing and distracting. If you’ve been working hard on that exercise or new technique and you can’t quite get it perfected, you might be getting ahead of yourself. Personally, I had this problem myself when I was learning. I’d only been playing for a year or so and I was trying to learn songs that I wasn’t prepared to play yet. You can always break something down, play it slowly and gradually speed it up with a metronome, but if you’re attempting something that’s way out of your league you could easily try to play too many notes too fast before you’re physically capable. For beginners, this usually means you’ll memorize something and play it at the right tempo, but sloppier than a chili cheese dog. If you find this happening to you often, find some satisfying pieces to learn that you can play well. They’ll sound great and you’ll look and feel like a star! The harder stuff can wait a while. If you’re still interested in that crazy Yngwie lead in two years, you’ll be amazed how easy it is to learn if you attempt it once you’re actually prepared.
 
Another important thing that can help bring your confidence back up and motivate you to stay on track is to get positive feedback. Play for your friends and family and jam with other musicians who can give you some tips and new ideas. If you only practice on your own and never show anyone your progress, the personal enjoyment might not be enough for you. If a tree falls in the forest and there’s no one there to hear it, does it make a sound? If you pull off a blazing ten minute riff extravaganza in your basement, is your dog howling the only evidence that it actually happened? Don’t feel like you’re boring people or showing off if you ask them to “check this solo out that I just learned.” It’s not exactly the same as showing home movies (yawn). Playing guitar is cool! Watching people play guitar is cool too! Record yourself and put it on the internet, post it on YouTube. Be proud of your hard work. When you strap on your guitar and start playing, you’re a superhero! People will see you in a whole different way. This could lead to many dates, new friends, gigs and free drinks. Other musicians will recognize this common bond too, and you’ll join a whole new community that will accept you like a brother or sister
 
Are you getting motivated yet? Man, you guys are tough! Ok, try this then: do something completely
different. The cost of this can range from free to thousands of dollars. The more expensive route is to buy a new guitar. This should NOT be an option for beginners. I strongly believe beginners shouldn’t buy a new guitar until they’re well on their way, playing full songs, jamming with other people, and have a solid background. The only exception is if the guitar you started learning on refuses to stay in tune and is made out of plastic. Another option is to buy a different type of guitar: acoustic, seven string, fretless bass, one with a whammy bar. Your new guitar will feel a lot like a new car; you’ll want to drive it all the time. You can also buy a new amp, crank it to eleven and lure the police to your house. How about some less expensive, equally motivating gear? New effects are great. Or get a decent software program and some drum loops and start writing your own songs. This is easier than it sounds with today’s technology, and some of the best songs ever written use only three or four chords so even a beginner can write and record a great song on their own. But what if your budget doesn’t allow for any of the above? Buy a capo or a slide for around ten dollars and experiment (this will keep you busy for hours, even days). Even if you just slap a brand new, fresh set of strings on your guitar or bass, that bright punchy tone can motivate you to play for hours. There are also plenty of completely free options to try that will open new creative windows for you. Experiment with some new tunings like Drop D tuning, Open E, A or G tuning, and combine different tunings with capos and slides. Try a new technique like a different bending style, two handed tapping or hybrid picking to name a few. Many of these techniques and tunings will be featured in lessons throughout Rock House Method DVD's or through our EMusic section, complete with step by step instructions, backing tracks, tips and tricks from world famous
players and instructors.

Motivation is the key to success in almost every area of life, and learning, practicing and progressing on a musical instrument is no exception. Always switch things up, try new ideas and techniques, and learn songs and solos that are within your range to keep things fresh and pump new life into your practice routine. And don’t forget the first and most important step: Pick. Up. Your. Guitar!

©2009 - 2013 Fred Russell Publishing, All Rights Reserved. This article can not be used without permission from the Author. To Contact the Author email jm@RockHouseMethod.com

11.12.2013

Fender Guitar's "Pawn Shop Special" Guitar Amp

Fender's Pawn Shop Special series Ramparte amp looks the part of the perfect pawnshop prize. With its tastefully textured two-tone chocolate-and-copper fabric covering, it’s right at home in the den or living room next to the recliner and the console stereo. But fire up this diminutive 9-watt beauty and you’ll be storming the ramparts of pure tube tone, with huge power and performance from the 12" Special Design speaker and dual "hot" and "cool" channels.

Check it out HERE



Controls: Volume Control for Each Channel
Voltage: 120V
Wattage: 9 Watts
Inputs: Two - (1/4", COOL and HOT)
Speaker Jack: Internal speaker disconnects to allow the amp's 1/4" output to be used with external 8-ohm speaker enclosures
Channels: Two - (COOL and HOT)   

Handle: Vintage Leather Strap
Grill Cover: Two-Tone Chocolate & Copper "Home Fabric" Covering with Wheat Grille Cloth
Amplifier Depth: 9.875" (250 mm)
Amplifier Width: 17.33" (440 mm)
Amplifier Height: 15.75" (40 cm)
Amplifier Weight: 21 lbs. (9.54 kg)
Speaker: One - 12" Special Design Ramparte Speaker
Impedance: 8 ohms
Pre Amp Tubes: 2 x 12AX7
Power Tubes: 1 X 6L6
Unique Features:      Ramparte's "cool" channel is voiced from warm and clean to moderately gritty; the "hot" channel delivers great overdriven tone from mild to wild. Each channel has its own separate ¼" input jack and volume control. Other fine features include class "A" circuitry from a single 6L6 power tube, ¼" internal speaker disconnect for external enclosure use, "chicken-head" control knobs and vintage-style leather strap handle. MSRP: $549.99

Seymore Duncan Introduces The Dirty Deed Distortion Pedal

The Dirty Deed is the result of several years of engineering and testing to create a pedal that could provide a natural organic sounding distortion and have tons of versatility. Whether you are playing your favorite classic rock songs or needing some neighborhood shattering distortion the Dirty Deed can get you there. With highly responsive independent Level, Treble, Bass and Drive controls you can dial in your perfect distortion. With a turn of the gain knob you can go from the sparkling overdrive of your favorite classic rock songs to a rich, powerful hard rock distortion with amp-like saturation.

Unlike most distortion pedals that sound like a bottled mosquito, the Dirty Deed is very open and natural, capturing the tone of a classic overdriven amplifier, essentially becoming “channel two” of any clean amp. We used a pair of cross-connected MOSFETs for a rich, warm distortion and natural tonal character with amp-like touch sensitivity. Runs on standard 9v to 18v DC power supplies. At 18v the Dirty Deed enhances overall saturation and compression.

The distortion is thick and beefy with a sweet spot in the mid-range EQ and a strong bass response. The Dirty Deed is an analog, 100% true bypass pedal that is assembled and designed right in the heart of Seymour Duncan headquarters in Santa Barbara, California.


11.11.2013

Kiko Loureiro Releases The White Balance DVD

Rock House Instructor/Artist Kiko Loureiro has just revealed the official cover artwork of his first solo DVD "The White Balance" which is planned to be released this month. 

The concert was recorded live at Auditorio Ibirapuera, São Paulo – Brazil, last June, 14th. The tickets were sold out and Kiko Loureiro shared the stage with many special guests such as Virgil Donati, Rafael Bittencourt, Yaniel Matos and Carlinhos Noronha, among others. 

To buy “The White Balance” DVD, please send an email to thewhitebalancedvd@gmail.com.

To learn Kiko's playing secrets check out his instructional DVD at the Rock House Store

Ibanez Guitars Releases 2 New Kiko Loureiro Signature Models











Rock House Instructor/Artist Kiko Loureiro just nailed it with the release of 2 Ibanez Signature electric guitars. No doubt Ibanez is excited about their partnership with the multi-dimensional guitarist and are honoring him with the release of the smooth looking guitars that echo the tones only Kiko can produce. We at Rock House just want to say we are happy and excited for our good friend Kiko. Check 'em out below and then go to Kiko's Ibanez page to get all the juicy details.

You can check up on Kiko on his web page HERE

The KIKO 100 









The KIKO 10P
 

11.07.2013

Introduction to String Bending - Guitar Lesson

Visit the Rock House Store HERE

Bends are a very soulful way of creating emotion with the guitar, using flesh against steel to alter and control pitches. All guitarists have their own unique, signature way of bending notes.

The row of tab staffs below show bends using the third, fourth or first fingers. The “B” above the staff indicates a bend, and the arrow with a “1” above it means to bend the note one whole step in pitch. First try the third finger bend. While fretting the note with your third finger, keep your first two fingers down on the string behind it and push upward using all three fingers. This will give you added coordination and control.


Use the same technique for the fourth finger bend, using all four fingers to bend the string upward. The first finger bend will probably be the hardest since you are only using one finger to bend  the string. In some situations, you may even pull the string downward with your first finger to bend the note.















The following exercise shows what bending looks like in context when playing a solo using the 1st
position A minor pentatonic scale. Play through this exercise and start to get a feel for how to incorporate bends into your own riffs.













Below is the audio to help you hear how bending should sound.


©2009 - 2013 Fred Russell Publishing, All Rights Reserved. This article can not be used without permission from the Author. To Contact the Author email jm@RockHouseMethod.com

D'Addario Strings Play Like a Pro Sweepstakes!


XL + Guitar Moves “Play Like a Pro” Prize Includes a Gretsch White Falcon Guitar,
Free Strings for Five Years and a Trip to New York City.

Enter the sweeps here: www.daddario.com/playlikeapro
Click here to watch the video

NEW YORK, NY | NOVEMBER 1, 2013 – Today D’Addario and VICE announce the launch of the XL + Guitar Moves “Play Like a Pro” sweeps, which offers one winner a prize package including a Gretsch White Falcon guitar, free D’Addario strings for five years and a trip to tour the D’Addario string factory in New York. The sweeps is launched in celebration of the season finale of the hit series Guitar Moves presented on Noisey, VICE’s music channel.

For the chance to win this audaciously awesome prize package, guitarists can visit www.daddario.com/playlikeapro and enter the code from a pack of D’Addario XL Strings. The contest launches today and will run until December 20, 2013. D’Addario and VICE will announce the winners via Twitter, Facebook, and Instagram. Follow D’Addario at @daddarioandco on Twitter and Instagram and on Facebook at www.facebook.com/daddariostringsandplanetwaves for updates.

Hosted by Matt Sweeney and presented by D’Addario and VICE, Guitar Moves is a 12-episode series showcasing artists' creativity and passion. Featured artists included James Williamson, Blake Mills, Josh Homme, Dan Auerbach, and many more. Watch the entire season of Guitar Moves on Noisey: http://noisey.vice.com/guitar-moves

ABOUT D’ADDARIO

D’Addario & Company, Inc. is the world’s largest manufacturer of musical instrument accessories marketed under seven proprietary brands: D’Addario strings; Evans drumheads; ProMark drumsticks; PureSound; Rico reeds; and Planet Waves cables and accessories. A family-owned and operated business with more than 1,100 employees worldwide, the Company manufactures 95% of its products in the U.S. employing Toyota’s Lean manufacturing principles. D’Addario has a distribution network in 120 countries and serves more than 3,000 U.S. retailers, all major e-commerce sites, and more than 5,000 endorsing artists.

ABOUT VICE

VICE is a global youth media company, and the industry leader in producing and distributing the best online video content in the world. Launched in 1994 as a punk magazine, VICE has expanded into a multimedia brand, including an international network of digital channels; a television & feature film production studio; a monthly magazine; a record label; and a book-publishing division. In 2013, VICE launched a news-magazine series on HBO titled 'VICE.' The Emmy nominated series is commissioned for a second season, scheduled for 2014.

VICE’s digital channels include VICE.com, the brand's digital flagship; Noisey, dedicated to music discovery; The Creators Project, focusing on arts and creativity; Motherboard, covering cultural happenings in technology; THUMP, concentrating on global dance and electronic music; and Fightland, dedicated to the culture of MMA.

11.05.2013

Native Instruments - KOMPLETE Integration With MASCHINE 2.0


KOMPLETE’s integration with MASCHINE has never been so powerful or so seamless. Find all your KOMPLETE Instruments and Effects lightning fast in MASCHINE 2.0‘s spectacular, tag-based browser and NI product icon view. Multi-core support maximizes your computer’s power. Then instantly start creating – key parameters automap to MASCHINE eight display knobs. You’ve never experienced workflow this fast.

11.04.2013

CHILDREN OF BODOM Announces 2014 “Halo Of Blood Over North America Tour”

Finnish Metal Band to Make Stateside Return this Winter with Massive Six Week Headlining Tour!

Rock House Artist/Instructor Alexi Laiho and his Finnish heavy metal powerhouse band CHILDREN OF BODOM (aka COB) will make their triumphant return to North America this February. The award winning band has announced a six week major market headlining tour that will kick off on February 14 in Quebec City, QC and hit 32 markets across the U.S. and Canada before wrapping with a two night stand at NYC’s Irving Plaza on March 28-29.  Brought to you by ESP Guitars, the tour will feature support from folk metal heroes TYR (and “special guests TBA”) and represents COB‘s first stateside headlining tour since the release of the band’s new LP Halo of Blood, which was dubbed “unapologetic” by Pitchfork.

Premium CHILDREN OF BODOM ticketing packages are now available through ShowStubs.com.  Packages include tickets along with hats, jewelry and other exclusive items available in some markets for a very limited time (less than two weeks).  New York fans will have the opportunity to see two unique CHILDREN OF BODOM shows, a different set each night.  In addition, 100 two night packages are available for NYC which include one ticket for each evening, early entry to the venue both nights, an exclusive show poster and access to the VIP Balcony section. Packages will become available to the public on November 8 at 10 AM local time.

CHILDREN OF BODOM “Halo Of Blood Over North America Tour”:

February 14      Quebec City, QC      Imperial
February 15      Montreal, QC           Metropolis
February 16      Toronto, ON             Sound Academy
February 18      Thunder Bay, ON     Crocks
February 20      Winnipeg, MB          The Garrick
February 21      Saskatoon, SK         Louis Pub
February 22      Edmonton, AB          Union Hall
February 23      Calgary, AB             MacEwan Ballroom
February 25      Vancouver, BC         Commodore Ballroom
February 26      Seattle, WA             El Corazon
February 28      San Francisco, CA   The Fillmore
March 1            Los Angeles, CA      House of Blues
March 2           Santa Ana, CA         The Observatory
March 3           Phoenix, AZ             Club Red
March 5           Salt Lake City, UT    The Murray Theater
March 6           Denver, CO              Summit Theater
March 7           Albuquerque, NM     Sunshine Theater
March 8           El Paso, TX             Tricky Falls
March 10          San Antonio, TX      Backstage Live
March 11          Dallas, TX               House of Blues
March 12          Houston, TX            House of Blues
March 14          Atlanta, GA            Masquerade
March 15          Ft. Lauderdale, FL   Revolution
March 16          Tampa, FL              The Ritz Ybor
March 18          Asheville, NC          Orange Peel
March 19          Charlotte, NC          The Fillmore
March 21          Silver Spring, MD    The Fillmore
March 22          Philadelphia, PA     Theatre of Living Arts
March 23          Cleveland, OH         House of Blues
March 24          Detroit, MI              St. Andrews Hall
March 25          Chicago, IL             House of Blues
March 27          Boston, MA            Paradise Rock Club
March 28          New York, NY         Irving Plaza
March 29          New York, NY         Irving Plaza