7.31.2009

Summer NAMM 2009 Review

Well I made it back in one piece from attending this year’s summer NAMM show in Nashville TN. I have to start off by saying that I was a bit skeptical about this show because I heard that many of the top manufacturers and dealers were not going to attend. I have attended NAMM shows for over 10 years and this was the first time that Fender, Marshall, Roland, and Gibson etc… did not attend. Those are usually some of my favorite stops and after parties.

The day before the show started I attended the 2nd. Annual Largest Pedalboard event, this event raises money for the Kidney Foundation. My buddy Aljon does this every year and this is the second time he broke the World's Record for the most pedals connected to one amp, 147 pedals all on at the same time. 
Check out the pics:


I was asked to conduct a clinic and help raise money for the charity and from what I was told they did very well and the show was a huge success.

If you want a laugh check out this link to the video of my clinic: http://www.youtube.com/watch?v=9VgS6FyOzNY&feature=email
For more info about this event and the charity, go to my buddy Aljon’s website and make a donation to the Kidney Foundation: http://www.tonefreq.blogspot.com/    www.kidney.org

The next day when I arrived at the show the traffic was considerably mild. Usually your being trampled like you’re at the airport, but this year everybody seems mellower than usual. Walking through the convention center and proceeding to the main hall, most of the small booths that usually decorate the walls were not there. I was like “OH S**T!!” What happened to the music industry? Did the economy affect more companies than I originally thought?

It was weird, not seeing the usual suspects out there doing their thang, but when I entered the main hall I was relieved to see many familiar faces and companies there hungry and battling through a weak economy.

Walking through the main hall I noticed that there were many smaller companies in attendance and new companies showing for the first time. That was refreshing to see. I also noticed that all these booths were busy. By who? Dealers!!! Many dealers came to the show, most of them your local shop up the street all looking at new products and new gear to stock in their stores.

There was a ton of business being done and then it hit me. The big companies and dealers that usually distract you from these smaller companies weren’t here to get in the way and now these companies were getting the attention they deserve.

I talked to many frustrated dealers that said: “I allocate thousands of dollars of my budget to these top manufacturers, and they care more about their bottom lines than to come out and show support to their dealer base, maybe I should start giving them less and show more support to the companies that are here and want my business.” I wish I had a dime every time I heard this statement.

The biggest difference about this NAMM show was that the spirit of why we do this was back. The corporate giants weren’t there and it was all start-up companies and Ma & Pa shops all getting together supporting one another.

I think the music industry is on the verge of a huge corporate back lash. These companies have gotten to big and greedy; most of them are all owned by corporations and not by the guy that started the company in the first place. The passion has left these companies a long time ago and we stuck by them hoping to get that spirit back. Most of these companies are sending their entire product lines to China trying to tell you that they can’t build products here, BULL!!!

I’m here to tell you that the name brands that we grew up with are DEAD… Look past these brands and find new products to love because there was tons of cool new gear I saw and most of it was built here in the U.S.A. at an affordable price. I even talked to many European companies that said that they want to set-up manufacturing facilities here in the U.S. because they don’t understand why these American companies would cheapen their brand by sending everything over to China.

Let me exhale and jump off my soapbox and let’s get to the gear…

Like I said there was a bunch of new guitar companies all with new and creative designs. The first company you need to check out is the St. Blues Guitar Company: www.saintblues.com they are based out of Memphis TN. If you know your music history, then you know that only good things come from Memphis and these guitars are right in that tradition. Very cool designs that are fresh and new but have that retro look and feel all mixed together. I heard form a lot of girls (My wife included) that the guitars are sexy looking. What else can I say?

The next company that caught my eye was the T.V. Jones Guitar Company: www.tvjones.com this is the same company that makes the pick-ups for Gretsch and other companies, but they have their own guitar line that needs to be paid attention too. The designs are very retro, but they are not Gretsch or Les Paul copies either. They have their own look and feel to them. I found myself not wanting to put it down, and the riffs just kept flowing, but I eventually did put it down and was very excited to see that the people at the company were excited that I liked the guitars. You could tell that they are very proud of their new babies. That was a nice experience.

This next company I missed the first day of the show, but my buddy Bob came up to me at dinner and was just raving about this new guitar company and how the guitars were the best mid priced guitars he has ever played. Period!!!

So with that I made it a priority to go and see them the next day. The company is the new Indie Guitar Company: www.indieguitars.ca the company is based in the U.K. and distributed to this Canadian company that imports them to the U.S. I went and played a bunch of them and they offer creative spins on some popular guitar shapes, and the colors, features and finishes were perfection.

Bob was right but the guitars I played had to be their top of the line models that were priced easily over a grand. Not a bad price for that kind of quality so when I asked them to show me the mid priced guitars. The two guys in the booth looked at me like a deer caught in head lights and said that all the guitars I played retailed for way under a $1000.00 dollars. The PRS style guitar I liked only retailed for $899.99. I was shocked, Really!!!

In this country we have not seen this kind of quality at these prices for over a decade. Great, great, guitars, and the guys are all players and really cool people, if you’re a dealer? Carry these guitars, if you’re a consumer? Tell your local dealer to carry these guitars. They are truly a product line that will sell well in any music store.

Let’s all thank Bob for this find… THANKS BOB!!!!

Before I move on to amplifiers I have to shed some light on two more guitar companies. One being Guitar Mill: www.guitarmill.com they build relic guitars and guitar parts, but they do it all in Tennessee. Great guys and their relic strats and teles are wonderfully accurate and affordable; ask for Gavin he can set you up with your next relic jewel.

The second company I want to mention is not a guitar manufacturer but a guitar service. The first of it’s kind. The company is called Guitar Affair: www.guitaraffair.com and in most circles you would think this was a bad thing, but it couldn’t be further from the truth, and don’t go telling your wife that Tony told you to go have an Affair. Ha, Ha, just kidding. NOT!!!

This company provides us musicians with the luxury of being able to travel and have access to an instrument. Any musician that has tried to fly with a guitar will tell you that the airlines just love breaking and damaging your favorite instrument.
Check out this Youtube video on the subjecthttp://www.youtube.com/watch?v=5YGc4zOqozo

Now you have a solution, go to the Guitar Affair website, pick out a guitar you would like delivered to your hotel and it will be there when you check-in. It comes in a case with a Line-6 pod/ headphones so you can jam in quiet bliss.

When you check-out put the return labels on the box and return it to the front desk, that’s it your done. No hassle and no problems. You also have the option to purchase the instruments and they only carry premium brands. This is one of those “Why didn’t I think of that” kind of ideas. Check them out and make sure to try out their service next time you travel or have a gig out of town, you won’t be sorry.

Many amplifier companies did not show up this time. Even some small boutique guys weren’t there, weird. But there were four amplifier companies that I feel need some props.

The first I need to mention is the Mad Professor amplifiers from Finland: www.mpamps.com these amps are very well made, high-end boutique amplifiers. Very, very cool. You can’t make these amps sound bad, they are more expensive than your regular run of the mill production amplifiers but they also sound better than those amps too. The quality and craftsmanship is much higher than most amps I have ever played and their cylinder ports (Allows the heat to escape naturally and allows the amp to not over-heat) on the top and back of the amplifier is probably one of the most useful and intelligent designs I have ever laid my eyes on. They just came out with a new 20 watt amp that is lower in price, but not in quality. You play small clubs? This is a gotta have amp.

The next amplifier company has a very cool story to tell, and when you meet these guys and they tell you their story? You might have just found the next big thing in guitar amplifiers. Meet Blackstar Amplifiers: www.blackstaramps.com they hail from the U.K. and the reason they started this company is that they all used to work for Marshall. You know Marshall Amplifiers?

These were “Key” members of Marshall’s management, marketing and engineering team. They decided to break out and create amps that weren’t Marshall Copies, but new designs that jump into new sonic territories, with features that only players and real musicians understand. The best thing about these amps is that they are affordably priced but sound like you paid three times as much.

Put these amps high on your priority list of things you must own before you die. Yes, they sound that good.

The next amplifier company you need to pay attention to is Egnater Amplifiers: www.egnateramps.com these are the really cool affordable amps you see all the time at Guitar Center, but they are branching out to local dealers and have expanded their amp line now offering 10 new models. All of these amps have that real smooth Egnater sound that is just candy for the ear.

Last but not least is probably one of the coolest looking amps I have seen in a while the 3rd. Power Amplifiers distributed by TSI Distributing: www.tsidistributing.com the company is based out of Nashville and they have come up with a design that has to be seen. I won’t spoil it for you but the cabinet design is unique and makes you wonder why we have made speaker cabinets in a box design for all these years. That’s all I’ll say about that, but this company also offers some really cool pedals that I’d like to review for all of you. Check them out today.

There are a few more companies that stuck out that had unique products. The “O” Port was cool. It’s a ring that fits inside the sound hole of an acoustic guitar. The design pulls all the acoustic frequency that is lost inside the body of the guitar out. It not only increases volume but over-all tonality and response of the guitar: www.dmg-austin.com

This next company had really cool knobs. Literally, they were cool and Chunky. Maybe that’s why they are called Chunky Knobs: www.chunkyknobs.com tell Ed I sent you.

Visual Sound has a new pedal called the “Vans Warped Tour” Pedal, a must have: www.visualsound.net while we are on pedals HipKitty Products has some cool new stomp boxes: www.hipkittyproducts.com while you are experimenting with some new effects you need to put them on something, so go and visit my new friends at Pedaltrain pedalboards: www.pedaltrain.com they made me want to trash my Home Depot pedalboard and join the 21st. Century with a sleek new travel friendly pedal board. Tell Joanna I sent ya.

As you can see I had a ton of fun at the show and the music business is bouncing back, there is a lot of fight left in us. You can’t keep good musicians down, because we are an industry of passionate, creative people trying to come up with products that will inspire the next generation of Eddie Van Halens, Zakk Wyldes, Jimmy Pages, and names we haven’t heard of yet.

If you look back into history you will notice that empires have crumbled and giants have fallen, and the under-dog does triumph sometimes. We are living through strange times and we need to join together and shout in one voice that we won’t allow greedy corporate entities to dictate outrageous prices just because it says “Made in the U.S.A.” Let’s keep jobs here by supporting companies that are fighting to keep Americans employed, and demand that they keep their prices reasonable and affordable.

That’s all I have to say about that, and how did I get back up on this soapbox?

Please check out these new companies and the products they offer, they deserve your business and you deserve better products from companies that still appreciate you the customer.
Cheers,
Tony J. Pasko

P.S. When in Nashville don't forget to check out my favorite barbque joint; Jack's on Broadway.



©2009 Tony Pasko & Fred Russell Publishing, All Rights Reserved. This article can not be used without permission from the Author. To Contact the Author email curt@RockHouseMethod.com


7.30.2009

Tony Pasko Demo's on a 147 Pedal Board at Summer NAMM

Rock House's GEAR 411 guru Tony Pasko recently demoed several pedals at The 2009 Summer NAMM. The demo's were great and Tony explains what it is that he does best. But I got to tell ya that this is the biggest dang pedal board I have ever seen. 147 pedals in all. Tony wants to triple that next year. I also like his philosophy that you just never have enough gear. 






Rob Balducci presents "A Night of Pure Guitar"

Favored Nation artist and Rock House Instructor Rob Balducci is teaming up with John Celentand and Dave Weiner for an awesome "Night of Pure Guitar" at KJ Farrells, 242 Pettit Ave in Bellmore, NY on August 15th. Get and see 3 great musicians if you are in the area.




Marc Rizzo on Addiing Flash to your Lead Lines from Ultimate Metal Guitar

In this video, Mark Rizzo shows how to add a little flash to you lead guitar. He uses the lead from Kilocycle to demonstrate.

Find more video lesson at http://www.rockhousemethod.com/gpultimatemetal/ or http://www.youtube.com/UltimateMetalGuitar





7.29.2009

Review - Seymour Duncan Antiquity Pick-ups

This month I have to shine a light on a product that I fear could be overlooked if not explained properly.

Now I don’t have to tell you that Seymour Duncan is one of the best pick-up brands on the planet today, and I don’t have to tell you that they are on the cutting edge of technology. (A.K.A. Blackouts, P-Rails, and the new Triple-Shot) Not to mention they have a very impressive artist roster and most guitar manufacturers offer Duncan pick-ups as a standard feature. They are a very impressive company that makes great products.

The point that I want to make with this review is that Seymour Duncan knows how to make a modern pick-up because he knows where they come from. He has studied their birth and knows their beginnings. That’s how he is able to take pick-up technology into the future. He respects the past, and he knows it better than most out there today.

Like most guitarists I have many Seymour Duncan pick-ups in my guitars and I love the little twists Seymour has done to traditional pick-ups over the years. The JB, the Custom/Custom, the Little 59’, and the Hot/Cool Rails, all of these pick-ups plus many more have given us guitarists and our heroes our voice on the instrument. When we want to sound a certain way we initially change the pick-ups in our guitars to achieve our tonal nirvana.

So now let’s step back and talk about this new trend in the industry where we want everything that is new to look and sound old, or vintage if you wish. Maybe this trend came about when the actual vintage market went through the roof and the prices skyrocketed making it impossible for most guitarists to afford an older guitar or amp, but whatever the reason; manufacturers want to fill that void and offer those type of products to their customers.

Most “Relic” guitars I have played are pretty impressive; these builders seem to have figured out a pretty good formula for making a new guitar feel and look old. The only grip I have is most of them don’t sound authentic. I’m here to tell you that I have played many of the “Wound to vintage spec” pick-ups offered on the market today and the Antiquities are head and shoulders above the competition.

I was in the process of building a strat and I wanted this one to be as old school as I could get it so when I was ready to drop in the pick-ups I used some other brands that I had lying around, thinking that they would be fine for this guitar, and they were until I was in a music store and played a couple of real 50’s and 60’s strats. That’s when I realized that the pick-ups I had in my strat were not at all wound to “Vintage” spec. Since I didn’t have a few hundred thousand dollars on me to purchase the originals, I just figured what I had in my guitar was as good as it was going to get; but I couldn’t get that sound out of my head. The tones those guitars produce are intoxicating, and not at all like modern strats of today.

Months later I called my buddy Evan at Seymour Duncan about another matter and we stumbled on this topic, he explained to me that their Antiquity pick-ups might be what I was looking for, and filled me in on the amount of research Seymour has done over the years, assuring that the materials are correct, that the winding is done just like it was back in the 50’s, and how they have invested in the old machines etc… I was sold, so he sent me a set single coils and I have to tell you that the presentation of how these pick-ups are packaged is impressive in itself.

The pick-ups come in a single tweed looking box; they are wrapped in paper and placed in a pouch inside the box. They are tagged with a serial number and sighed by Seymour himself. By the way the pick-ups themselves were signed by the man, very cool. The schematics are written on parchment paper and the attention to detail is impressive, but when I un-wrapped the pick-ups; that was the kick over the edge I didn’t expect.

The pick-ups themselves are reliced. The screws look old and the cloth wire looked worn. You feel like you are opening a piece of history, a lost jewel. The pick-ups smelled old and felt like they were 50+ years old; there was even dust in the pouch. You get the impression that if they went to this extent to make the pick-ups look this way then how good will they sound.

THEY NAILED IT!!! That’s the only thing I can say to describe the tone of these pick-ups. These are by far the most authentic sounding recreations I have ever heard. These pick-ups have the “IT” factor when it comes to describing the tone. Now some guitarists might not have access to a real 50’s or 60’s strat to compare too, so let me re-assure you that Seymour has done his homework and has the goods.

The thing that I think most guitarists will love about these pick-ups is that when you try to get a sound like Stevie, or Jimi, or Rory, or whom-ever, the tones are there they are obtainable because those guys played old strats and old strats sound good… If you’re a session guy that needs that real strat tone? These pick-ups maybe your saving grace.

These pick-ups record better than most single coils I’ve used in the past, some single-coils can sound thin and the mids don’t always cut through the mix. These pick-ups are full bodied and the top end isn’t harsh.

Checkout some sound samples I did at:

Remember that these pick-ups are “Vintage” pick-ups by design so if you’re looking to crank a ton of gain through them, these might not be your cup of tea but if you desire tones form the golden age then these pick-ups will be your flux capacitor in your Delorian time machine.
(That was a bit of a stretch)

Cheers,
Tony J. Pasko

Be sure to check out my other reviews and advice at www.rockhousemethod.com and click on GEAR411.


Retail: $110.00

©2009 Tony Pasko & Fred Russell Publishing, All Rights Reserved. This article can not be used without permission from the Author. To Contact the Author email curt@RockHouseMethod.com


Sign up to win an autographed Rusty Cooley Overdrive!

Rusty Cooley needs no introduction... but in case you've been living under a rock for the last year lets run down what he's been up to- 2 FULL Length instructional DVD's from Rock House, a brand new signature guitar from Dean- the RC7X, a guest spot on the Sean Baker Orchestras newest CD, a collaboration with Derek Sherinian on Derek's latest CD... do I really need to keep going?

Just enter your name and Email addy at http://protonepedals.com/signup.html and you'll be entered to win Rusty Cooleys secret tonal weapon!





Ampeg Bigger Than Ever For Summer Touring Season

With this year’s summer touring season in full swing, Ampeg endorsers will be playing to millions of fans at the year’s highest profile festivals and stages.

Sonisphere sees both headline acts using Ampeg with Rob Trujillo (Metallica) and Dave Farrel (Linkin Park). Also on the main stage, Geezer Butler (Heaven & Hell), Troy Sanders (Mastodon) and Michael Inez (Alice in Chains) rip it up with Ampeg!

All three headliners for the 2009 Reading Festival are Ampeg Endorsers - Colin Greenwood (Radiohead), Jared Followill (Kings Of Leon) and Nick O'Malley (Arctic Monkeys) will all be playing their favourite Ampeg rigs. Other Ampeg artists at this year’s sold out festival include Simon Rix (Kaiser Chiefs), Matt Barnes (You Me At Six) and Matt Kean (Bring Me The Horizon).

The V festival has an eclectic assortment of Ampeg artists, including Paul Wilson (Snow Patrol).

The majority of these artists are using Ampeg SVTs, pioneered in the 1960s and still the first choice for bassists on stages around the world. The SVT rigs are the benchmark for live performers with their powerful all-tube sound delivering thunderous volumes and unsurpassed and tonal flexibility.

For more details on the ultimate, high-performance gear to the world’s top bass players see www.ampeg.com



7.28.2009

Rock House & Guitar Player Magazine Introduce ULTIMATE METAL MAGAZINE

Ultimate Metal Guitar Powered by The Rock House Method is part of an ongoing collaboration between Guitar Player Magazine and Rock House. The concept is to periodically release issues that cover specific topics like Lead Guitar, Song Writing, Rhythm Guitar, Classic Rock Guitar, Metal Guitar and other topics utilizing lesson content provided by Rock House mixed with original articles from Guitar Player's staff. Each unique product incorporates print and web components to give people a complete experience. Check out the YouTube Channel.

The first supplement will be released in July with a distribution of 77,000 to highly efficient newsstands around the country such as CVS, Barnes & Noble, Walmart, Etc.

The project uniquely incorporates print and web components for a complete learning experience. The reader receives lessons with direction; notation and tablature in the magazine then have the option at www.rockhousemethod.com/gpultimatemetal to access the video, download backing tracks to practice with and can even load the lesson to their iPod. Once at the Rock House site user information can be captured and used for future marketing efforts. To drive additional traffic we also have a You Tube Channel at www.youtube.com/ultimatemetalguitar and a digital component distributed through Music Player Network, Rock House Community, Twitter, MySpace and Face Book.

Rock House is the most recognizable name in music instruction; this project further solidifies our position as the leading educational authority for a new generation of aspiring musicians.



7.27.2009

The Art of Auditioning featuring David Ellefson

David Ellefsons “Rock Shop” is a video series featuring professional tips and tricks of the trade. In this episode The Rock House Instructor gives some serious advise on auditioning for a spot in a band. There are somethings David talks about some things I have never really thought too much about, he gives some pretty interesting perspectives.

You can catch up on the whole “Rock Shop” series by visiting http://www.youtube.com/user/davidellefson or http://www.myspace.com/davidellefson39srockshop








David Ellefson News, Updates and New Tour Dates

News and updates from Rock House Method Instructor David Ellefson. On Tuesday July 28th David will be featured in the Dutch radio show Let There Be Rock (www.letthereberock.nl ). David will be highlighting some of his most favorite tracks of all times on the show including some real classics from the past.

The Internet stream for the show is located at http://w4.boschtion.nl/index.php?pageid=21

The 2-hour show starts at 9PM CET (Amsterdam time) on July 28. In other time zones start time is:
- London 8PM
- New York 3PM
- Los Angeles Noon
- Rio de Janeiro 5PM
- Moscow 11PM
- Tokyo 5AM (Wednesday July 29)
- Sydney (7AM (Wednesday July 29)

David will present his favorite top 3 songs of his own playing in the first hour of the show, and his top 3 favorite songs of all time in the 2nd hour of the show.

Photobucket


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Hail announces Scandinavian tour dates

Hot on the heels of their latest news that Stone Sour drummer, Roy Mayorga, will be joining them on their Scandinavian tour in September, heavy metal superstars, HAIL!, announce their full tour.

September 1 Blaest Trondheim, Norway  

September 2 Garage Bergen, Norway  
September 3 Rush Stavanger, Norway  
September 4 Luftslottet Grimstad, Norway  
September 5 Glassheim Jevnaker, Norway  
September 6 Feelgood Halden, Norway  
September 7 The Rock Copenhagen, Denmark  
September 8 Voxhall Aarhus, Denmark  
September 10 House Of Culture Helsinki, Finland  
September 11 Wasteland Gavle, Sweden  
September 12 Klubben Stockholm, Sweden

“This is going to be amazing!” exclaimed David Ellefson, “After just playing Sweden Rock and a bunch of dates with Ripper in Europe last month, we can’t wait to come back! Everywhere we went the response was amazing and we are really excited to give all the Scandinavian fans a chance to see HAIL! play”

“We want to give the fans something extra special as a way of saying thank you for their tremendous support,” added Ripper, “and after getting the chance to hang out with so many old friends a few weeks ago, wait until you see who we have jumping up as surprise guests on this run! We’ve also been discussing a bunch of new songs for our setlist and we can’t wait to come play for everybody. It’s going to be great and we’re really looking forward to it.”

Guitarist Andreas Kisser explained, “We intentionally booked some shows in smaller cities because we realize that Sepultura and Judas Priest and Megadeth could never play in some of these places, so we wanted to make the effort to give everybody a chance to come hang out with us and enjoy the show. It’s going to be killer so hang on Scandinavia - we’ll see you soon!”

For more HAIL! news, music, videos, pictures and limited edition merchandise please visit http://www.myspace.com/hailtheworld. For all booking and press inquiries please contact hailkills@aol.com.



Living Colour - Free Download and New Tour Dates

Perusing though the Rock House Method Artists web sites, I ran across a couple interesting things from the gang at Living Colour.

The band has posted a new song to their My Space site called "Behind the Sun". The song is from their up and coming album "Chair in the Door" due out September 15th. The song has a cool groove and has the "Living Colour" signature sound written all over it. You can listen to it at this link: http://www.myspace.com/livingcolourmusic


A couple days after they posted this on their my space, Living Colour shot out a message that the song can be downloaded for free by doing to this link: Behind the Sun

In other news Living Colour has announced a list of new tour dates in the U.S. More dates will likely be added soon.

Sept 1 - The Birchmere - Alexandria, VA
Sept 2 - Bottle & Cork - Dewey Beach, DE
Sept 3 - World Cafe Live - Philadelphia, PA
Sept 4 - The Crazy Donkey - Farmingdale, NY
Sept 6 - Infinity Hall - Norfolk, CT
Sept 8 - Tupelo Music Hall - Londonderry, NH
Sept 9 - FTC @ Stage One - Farfield, CT
Sept 10 - Johnny D's - Somerville, MA
Sept 11 - Mexicali Live - Teaneck, NJ
Sept 12 - Rams Head Tavern - Annapolis, MD
Sept 14 - The Loft - Atlanta, GA
Sept 15 - HOB Orlando Lake Buena Vista, FL
Sept 16 - Jannus Landing - St. Petersburg, FL
Sept 18 - Emo's - Austin, TX
Sept 19 - Granada Theatre - Dallas, TX
Sept 20 - Warehouse Live - Houston, TX
Sept 23 - Canes Bar and Grill - San Diego, CA
Sept 24 - The Key Club - West Hollywood, CA
Sept 26 - Berbatis Pan - Portland, OR
Sept 27 - Studio Seven - Seattle, WA
Sept 30 - Fine Line Music Cafe - Minneapolis, MN
Oct 2 - The Magic Bag - Detroit, MI
Oct 3 - Lee's Palace Toronto, ONT
Oct 5 - The Grog Shop - Cleveland, OH
Oct 30 - Highline Ballroom - New York, NY - TicketWeb

Keep up with the latest from Living Colour at  http://www.myspace.com/livingcolourmusic



Chimaira Tour Dates

Chimaira hit the ground running last week by kicking off their North America Tour. Don't worry though there are a ton of dates left yet to go. Get out there and catch them live. They are performing with Hatebreed, Winds of Plague, Dying Fetus and Toxic Holocaust. 

Chimaira's European Tour starts September 10th. They will be out on tour with Unearth, Throwdown and Daath.

Chimaira features Rock House Instructor Rob Arnold http://www.rockhousemethod.com/artists/artists.aspx

Keep up with Chimaira at http://www.chimaira.com/theinfection/

North American Tour

Jul 27 2009 7:00P Lincoln Theatre Raleigh, NC
Jul 28 2009 7:00P Chameleon Club Lancaster, PA
Jul 29 2009 7:00P The Chance Poughkeepsie, NY
Jul 31 2009 7:00P Water Street Music Hall Rochester, NY
Aug 1 2009 7:00P The Machine Shop Flint, MI
Aug 2 2009 7:00P The Terminal Traverse City, MI
Aug 3 2009 7:00P Riverside Ballroom Green Bay, WI
Aug 4 2009 7:00P Nutty’s North Sioux Falls, SD
Aug 5 2009 7:00P People’s Court Des Moines, IA
Aug 6 2009 7:00P Piere’s Ft. Wayne, IN
Aug 7 2009 7:00P The Pearl Room Mokena, IL
Aug 8 2009 7:00P Remmington’s Downtown Springfield, MO
Aug 10 2009 7:00P Aggie Theatre Ft. Collins, CO
Aug 11 2009 7:00P Mesa Theatre Grand Junction, CO
Aug 13 2009 7:00P Knitting Factory Boise, ID
Aug 14 2009 7:00P New Oasis Sparks, NV
Aug 15 2009 7:00P Senator Theatre Chico, CA
Aug 16 2009 7:00P The Catalyst Santa Cruz, CA
Aug 17 2009 7:00P Majestic Ventura Theatre Ventura, CA
Aug 18 2009 7:00P Glasshouse Pomona, CA
Aug 19 2009 7:00P Rialto Theatre Tucson, AZ
Aug 21 2009 7:00P Diamond Ballroom Oklahoma City, OK
Aug 22 2009 7:00P Emo’s Austin, TX
Aug 23 2009 7:00P Concrete St. Amphitheater Corpus Christi, TX
Aug 24 2009 7:00P Grant Street Dancehall Lafayette, LA
Aug 25 2009 7:00P The Village Little Rock, AR
Aug 26 2009 7:00P Fire Jackson, MS
Aug 27 2009 7:00P Valarium Knoxville, TN
Aug 28 2009 7:00P House of Blues N. Myrtle Beach, SC
Aug 29 2009 7:00P The Norva Norfolk, VA
Aug 30 2009 7:00P Starland Ballroom Sayreville, NJ
Sep 1 2009 7:00P Mr. Small’s Theatre Millvale, PA
Sep 2 2009 7:00P Tink’s Scranton, PA

European Tour

Sep 10 2009 7:00P GlavClub St. Petersburg, RU
Sep 11 2009 7:00P Tochka Moscow, RU
Sep 12 2009 7:00P Nizhny Minsk, BY
Sep 13 2009 7:00P Bingo Kiev, UA
Sep 15 2009 7:00P Vosselaar Biebob, BE
Sep 16 2009 7:00P Markthalle Hamburg, DE
Sep 17 2009 7:00P Pumpenhuset Kopenhagen, DK
Sep 18 2009 7:00P Betong Oslo, NO
Sep 19 2009 7:00P Brew House Gothenburg, SE
Sep 20 2009 7:00P Klubben Stockholm, SE
Sep 22 2009 7:00P Nostori Helsinki, FI
Sep 23 2009 7:00P Rock Cafe Tallinn, EE
Sep 24 2009 7:00P Meina Piektdiena Riga, LV
Sep 25 2009 7:00P Progresia Warsaw, PL
Sep 26 2009 7:00P Columbia Club Berlin, DE
Sep 27 2009 7:00P Szene Vienna, AT
Sep 29 2009 7:00P Batschkapp Frankfurt, DE
Sep 30 2009 7:00P N8 Osnabruck, DE
Oct 1 2009 7:00P Abadon Praha, CZ
Oct 2 2009 7:00P Diesel Budapest, HU
Oct 3 2009 7:00P Backstage Munich, DE
Oct 4 2009 7:00P Estragon Bologna, IT
Oct 6 2009 7:00P Locomotive Paris, FR
Oct 7 2009 7:00P Espace de L’Ecluse Limonges, FR
Oct 8 2009 7:00P Z7 Pratteln, CH
Oct 9 2009 7:00P Essigfabrik Koln, DE
Oct 10 2009 7:00P Tattoo Fest Metz, FR
Oct 11 2009 7:00P Watt Rotterdam, NL
Oct 12 2009 7:00P Electric Ballroom London, UK



7.26.2009

Free Lesson Offer From Rock House Handed out at Mayhem Fest

To all who received a free lesson card from Rock House at the Mayhem Fest... Bad News and Good News. the bad news, I messed up and forget to add the code into our system son until Monday July 27 at around 11 a.m. the MH codes will not work. The GOOD NEWS though, you can use code FX123789 and that will work for sure. Sorry again everyone, we're only human. I hope you enjoy the free lessons so much that you tell all your friends to go out and buy Rock House DVDs so that we can hire someone to make sure this doesn'y happen again.

Joe P. Co-Owner, Rock House

7.23.2009

PRS Guitars Introduces The 305

PRS is proud to introduce the 305, based on our 513 platform this guitar features 3 PRS proprietary single coil pickups to give you 5 classic sounds. Other features include; an alder body, maple neck, banded melon ‘513’ bird inlays and 25 ½” scale length. This guitar’s warm clear bite offers single coil tones unlike any other PRS model.

305 Model Specifications
 
Body
Body Wood Carved Alder
Neck
Number of Frets 22
Scale Length 25 1/2"
Neck Wood Rock Maple
Fretboard Wood Rosewood
Neck Shape 513
Inlays 513 Banded Melon Birds
Hardware
Bridge Tremolo
Tuners PRS 14:1 Phase II low mass locking tuners
Hardware Type Nickel
Hardware Option Gold
Treble Pickup 513 Single Coil
Middle Pickup 513 Single Coil
Bass Pickup 513 Single Coil
Pickup Switching Volume and tone control with a 5-way blade pickup selector
 
Check it out yourself at  http://www.prsguitars.com/index.html

JEFF LOOMIS OF NEVERMORE JOINS ROCK HOUSE

One of Today’s Most Influential Players to Reveal his Closest Kept Secrets

Rock House, the leader in music instruction, announced today that one of this era’s most influential guitarist Jeff Loomis, has joined Rock House’s roster of master instructors. Jeff is the lead guitar player and main songwriter of Nevermore, a band that has certainly made its mark on modern music by forging a unique sound that fuses different forms of Metal that has given birth to an authentic and very influential style. His recent solo CD Zero Order Phase took the #4 spot in a April 2009 Guitar World Magazine Readers Pole in the Best Shred Album of the year category. A notable accomplishment when you consider the top three vote getters, Paul Gilbert, Yngwie Malmsteen and Joe Satriani. Jeff has become one of his generation’s most recognizable guitarists and the source of many of the last decade's best riffs.

Jeff's complex shredding has been a central part of the progressive powerful guitatr scene since 1992 and is responsible for some of the most awe-inspiring riffs modern metal has ever heard. Nearly every aspiring musician who has been listening to metal for the past 10 years or so, has undoubtedly had the pleasure of hearing Jeff Loomis’ progressive and technically superior playing. “Jeff epitomizes the very essence of modern guitar playing; there is a huge fan base that has waited a long time for this type of product from Jeff.” Stated Joe Palombo, Executive Director of Rock House.

At least two instructional DVDs showing the building blocks that make up his signature sound are planned. Production on his Rock House products are slated to begin late the first week of August, no exact release dates have been set at this time, however, it is likely to be some time in the fourth quarter of 2009 or the first month of 2010. Stay tuned to www.RockHouseMethod.com, www.JeffLoomis.com and http://www.myspace.com/jeffloomis for more information on release dates.

Jeff’s Rock House instructional products will be available at MI retailers around the world for $24.99. Stay tuned at. All Rock House instructional products are distributed through Hal Leonard Corp. 1-800-554-626. Each on of Jeff’s DVDs will come with a FREE tab lesson booklet, iPod ready video and membership to Rock House’s lesson support site at www.RockHouseMethod.com. This feature, exclusive to Rock House and its partners offers students supplementary support for the lessons featured on the DVDs.

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Rock House has developed an accelerated yet easy-to-use system of learning that utilizes the functionality of DVD and Print, integrated with the accessibility of the Internet. Aspiring musicians who have a product produced by Rock House receive free membership to www.RockHouseMethod.com for 24-7 lesson support. Students use this fully interactive site along with their product to enhance their learning experience, expand their knowledge, link with instructors, and connect with a community of people around the world who are learning to play music using The Rock House Method®.

7.10.2009

5 Music Terms For The Day

KNOWLEDGE IS POWER

Prestissimo - Very, very fast. The fastest tempo.

Run - A rapid scale passage. 

Sinistra - Left hand.

Tre - Three. Used with other terms, e.g. a tre voci, in three parts.

Appoggiatura - A nonharmonic tone, usually a half or whole step above the harmonic tone, which is performed on the beat and then resolved. 




7.09.2009

5 Music Terms For The Day

KNOWLEDGE IS POWER

Transposition - The process of changing the key of a composition.

Appassionato - Impassioned.

Concert grand piano - The largest of the grand pianos, usually about nine feet long. 

Du - "From the," "of the."

Molto - Very. Used with other terms, e.g. molto allegro. 




7.08.2009

5 Music Terms For The Day

KNOWLEDGE IS POWER

Down bow - In the violin family, drawing the bow downward from its frog. The symbol is: .

Modulation - The process of changing from one key to another within a composition.

Premiere - First performance.

Ruhig - Quiet. 

Sin' - Until.




7.07.2009

Super V Tremolo System Video Review by Tony Pasko

Last month on The Rock House Blog, Tony Pasko the resident expert on the topic of gear wrote a review of the Super V Tremolo System (Review - The Super-Vee Locking Tremolo System). Tony just updated the his review by adding a nifty video to his original article on the GEAR411 page at The Rock House mother site.

In the review Tony has The Super V installed on a Fender Stratocaster and explains the cool features of the system.




5 Music Terms For The Day

KNOWLEDGE IS POWER

Rudiments - On drums, the basic sticking patterns.

Simile - An indication to continue in the same manner.

Tranquillo - Tranquilly; quietly; calm.

A piacere - Freedom in performance. Synonymous with ad libitum.

Con calore - With warmth.



7.06.2009

Taylor Readies New Nylon-String Model

 
Building upon the success of the company’s Nylon Series (NS) guitars, Taylor Guitars is set to release a new nylon-string model which embodies all that classical and steel string players alike have come to love about Taylor’s NS line. From exceptional classical tone, to Taylor’s slim and fast ultra-playable neck, the new NS24 offers players the familiar feel and sound of a Taylor NS, all at an affordable price.

The NS24 features a Grand Auditorium (GA) body shape crafted from satin-finished Indian rosewood laminate back and sides, a solid Sitka spruce top, and a mahogany neck. The slotted peghead is overlaid with Indian rosewood, with a soundhole rosette that features a hand-inlaid geometrical pattern of Mexican cyprus and Myrtle wood. The new nylon-string delivers signature Taylor playability with the company’s patented NT® neck and is appointed with stylish yet understated classical chrome tuners with cream buttons. On the inside, Taylor’s classical-style fan bracing produces a clear, bright sound, with strong treble notes and impressive sustain.

The model is offered in two styles: as a non-cutaway/electric in the NS24e, a first for the company, or as a cutaway/electric in the NS24ce. Both the NS24e and NS24ce feature Taylor’s proprietary ES-T® under-saddle, single-source pickup for a rich amplified tone. The ES-T captures the individual elements of each string, while an onboard pre-amp and the same active controls found on Taylor’s Expression System® provide clear and balanced articulation.

The NS24 joins six different nylon-string models currently offered by Taylor Guitars. Introduced in 2001 and designed with steel-stringed players in mind, the Taylor Guitars Nylon Series (NS) guitars feature either a Grand Concert (GC) or Grand Auditorium (GA) body shape and tonewood combinations of sapele/Sitka spruce (NS32ce, NS34ce), Big Leaf Maple/Engelmann spruce (NS62ce, NS64ce) and Indian rosewood/Western Red Cedar (NS72ce, NS74ce).

The NS24e will be offered at a suggested retail price of $1198 and the NS24ce at $1398. The guitars will make their retail debuts at domestic Taylor dealers in early August and internationally in September.

To learn more about Taylor’s NS Series, please visit http://www.taylorguitars.com/Guitars/Acoustic-Electric/Nylon/